Bellas artes : Diálogo sobre la primacía entre la pintura y la escultura.
| Tag | 1 | 2 | Valor |
|---|---|---|---|
| LDR | 00000nam a22000005i 4500 | ||
| 001 | BDCM20211591319 | ||
| 003 | BDCM | ||
| 005 | 20220223164031.0 | ||
| 008 | 000104s1822 sp ||| | spa d | ||
| 035 | $aCCPB000378551-3 | ||
| 035 | $aDMBR000604731 | ||
| 040 | $aCCPB-B$bspa$cCCPB-B$erdc | ||
| 245 | 0 | 0 | $aBellas artes $b: Diálogo sobre la primacía entre la pintura y la escultura. |
| 260 | $aMadrid$b[s.n.]$c1822$fImprenta de D. Leon Amarita | ||
| 300 | $a31 p.$c18 cm. | ||
| 540 | $aSin objeto digital asociado$fCCPBM$uhttps://www.cultura.gob.es/cultura/areas/bibliotecas/mc/ccpb/que-es-ccpb.html$91003 | ||
| 650 | $0BDCMA20090010796$aPintura | ||
| 650 | $0BDCMA20220203579$aEscultura | ||
| 752 | $0BDCMA20140004355$aEspaña$dMadrid |
| Tag | 1 | 2 | Valor |
|---|---|---|---|
| LDR | 00000nxm a2200000zn 4500 | ||
| 001 | BDCMF20213179799 | ||
| 003 | BDCMF | ||
| 004 | BDCM20211591319 | ||
| 005 | 20220217131014.0 | ||
| 008 | 0306042uuuuu0 4001uuund0030604 | ||
| 035 | $aDMMA20040432243 | ||
| 035 | $aCCPH001501220-4 | ||
| 040 | $aCAM$bspa$cCAM | ||
| 563 | $80.1$aEnc. hol. | ||
| 852 | $80$aM-ICC$jJE3/87(1) |
| Tag | 1 | 2 | Valor |
|---|---|---|---|
| LDR | 00000nxm a2200000zn 4500 | ||
| 001 | BDCMF20213157940 | ||
| 003 | BDCMF | ||
| 004 | BDCM20211591319 | ||
| 005 | 20220217131014.0 | ||
| 008 | 0001042uuuuu0 4001uuund0000104 | ||
| 035 | $aDMBR000615188$zDMBR000604731 | ||
| 035 | $aCCPH000747420-2 | ||
| 040 | $aCCPB | B$bspa$cCCPB | B | ||
| 561 | $80.1$aEx-libris de Antonio Rodríguez Moñino. | ||
| 563 | $80.1$aEnc. pasta deteriorada. | ||
| 852 | $80$aM-RAE$jRM-4813(2)$zForma parte de la colección "Ocios de D. Juan Agustin Cean-Bermudez sobre bellas artes"._ Madrid : Imprenta de D. Leon Amarita, 1822 |